“We now know that there was one family member behind this who had his own history, but that’s just the surface. Police investigations at the time, gleaned from the diaries, had revealed how the primary source of all the delusion was a relatively young family member with a history of untreated trauma. The last diary entry is of the macabre “Banyan Tree” ritual that commanded the family members to hang themselves in a formation resembling the hanging roots of a banyan tree, on the premise that their deceased patriarch would save them from dying. That delusional world was all they saw and it had become normalised for them.” “But this had been happening for 11 years, so naturally, it had become a part of their lives since the day they were born. “When the case was in the news, I refused to believe that children in the family as young as 12 and 13 could have agreed to be a part of this,” said Yadav. Apart from India, the series is also trending in Pakistan and most countries in South Asia. Yadav then went looking for answers of her own, which led to the three-part true crime documentary series House of Secrets: The Burari Deaths, which was released on Netflix last week. “But then it became weird, and the media spun multiple narratives out of it. “It was something that greatly disturbed me,” she told VICE. Much like the rest of the country, Leena Yadav – the Mumbai-based filmmaker behind critically acclaimed films including Parched and Rajma Chawal – was also shocked at the headlines she read on the incident. An 11th member – the oldest woman in the house – lay strangulated in a corner of the room. Ten members of the family across three generations were hanging from the ceiling, blindfolded, gagged, and with their hands tied behind their backs. What he saw the moment he stepped in shook him to the core. Singh went over to check on his friend and, to his surprise, found the front door open.
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